Hilichurlian Language Database

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Sentence or phrase	Speaker	Translation	Translation source	Context	Source
Celi movo celi yoyo	Hilichurls	(no direct translation given; see context)	Hilichurl Ballad Selection, Volume 2	The fifth song: Nini movo muhe yoyo Nini movo mimi tomo Lata movo mosi yoyo Celi movo celi yoyo Much like the people of Mondstadt, the wind-worshiping hilichurl tribes often drink to excess and sing endless songs of praise to the Anemo Archon. This is a hilichurl ode that is often heard when they are inebriated. (Additional notes: 1. Mistranslation: The original Chinese text simply says that they sing endless songs of praise to the wind, rather than the Anemo Archon. 2. The original Chinese text specifies that this song is sung by hilichurl shamans.)	Book: Hilichurl Ballad Selection (Version 1.0)
Unu, unu	Hilichurls	(no direct translation given; see context)	Hilichurl Ballad Selection, Volume 2	The sixth song: Unu, unu Yaya ika kundala! Unu, unu Mita dada ya dala? Unu, unu Kuzi mita dada ye Mita dada-a-mimi A pious ode that is only sung by hilichurls during sacrifices. When performing this ode, the hilichurls often add percussion by beating the backsides of the weakest tribe members with planks, creating rhythmic ringing sounds. It must be quite painful. (Additional note: The original Chinese text specifies that the ode is dedicated to the gods.)	Book: Hilichurl Ballad Selection (Version 1.0)
Yaya ika kundala!	Hilichurls	(no direct translation given; see context)	Hilichurl Ballad Selection, Volume 2	The sixth song: Unu, unu Yaya ika kundala! Unu, unu Mita dada ya dala? Unu, unu Kuzi mita dada ye Mita dada-a-mimi A pious ode that is only sung by hilichurls during sacrifices. When performing this ode, the hilichurls often add percussion by beating the backsides of the weakest tribe members with planks, creating rhythmic ringing sounds. It must be quite painful. (Additional note: The original Chinese text specifies that the ode is dedicated to the gods.)	Book: Hilichurl Ballad Selection (Version 1.0)
Mita dada ya dala?	Hilichurls	(no direct translation given; see context)	Hilichurl Ballad Selection, Volume 2	The sixth song: Unu, unu Yaya ika kundala! Unu, unu Mita dada ya dala? Unu, unu Kuzi mita dada ye Mita dada-a-mimi A pious ode that is only sung by hilichurls during sacrifices. When performing this ode, the hilichurls often add percussion by beating the backsides of the weakest tribe members with planks, creating rhythmic ringing sounds. It must be quite painful. (Additional note: The original Chinese text specifies that the ode is dedicated to the gods.)	Book: Hilichurl Ballad Selection (Version 1.0)
Kuzi mita dada ye	Hilichurls	(no direct translation given; see context)	Hilichurl Ballad Selection, Volume 2	The sixth song: Unu, unu Yaya ika kundala! Unu, unu Mita dada ya dala? Unu, unu Kuzi mita dada ye Mita dada-a-mimi A pious ode that is only sung by hilichurls during sacrifices. When performing this ode, the hilichurls often add percussion by beating the backsides of the weakest tribe members with planks, creating rhythmic ringing sounds. It must be quite painful. (Additional note: The original Chinese text specifies that the ode is dedicated to the gods.)	Book: Hilichurl Ballad Selection (Version 1.0)
Mita dada-a-mimi	Hilichurls	(no direct translation given; see context)	Hilichurl Ballad Selection, Volume 2	The sixth song: Unu, unu Yaya ika kundala! Unu, unu Mita dada ya dala? Unu, unu Kuzi mita dada ye Mita dada-a-mimi A pious ode that is only sung by hilichurls during sacrifices. When performing this ode, the hilichurls often add percussion by beating the backsides of the weakest tribe members with planks, creating rhythmic ringing sounds. It must be quite painful. (Additional note: The original Chinese text specifies that the ode is dedicated to the gods.)	Book: Hilichurl Ballad Selection (Version 1.0)
Mimi movo	Hilichurl chief	(no direct translation given; see context)	Hilichurl Ballad Selection, Volume 2	The seventh song: Mimi movo Mimi sada Mimi domu Domu upa Gusha dada It appears that many hilichurl tribes share a tradition of exchanging songs around bonfires in the moonlight. This song is one such bonfire ballad sung by the chief at the end of the night. At the end of the song, the chief shouts "nunu" three times, which presumably carries the meaning of "sleep."	Book: Hilichurl Ballad Selection (Version 1.0)
Mimi sada	Hilichurl chief	(no direct translation given; see context)	Hilichurl Ballad Selection, Volume 2	The seventh song: Mimi movo Mimi sada Mimi domu Domu upa Gusha dada It appears that many hilichurl tribes share a tradition of exchanging songs around bonfires in the moonlight. This song is one such bonfire ballad sung by the chief at the end of the night. At the end of the song, the chief shouts "nunu" three times, which presumably carries the meaning of "sleep."	Book: Hilichurl Ballad Selection (Version 1.0)
Mimi domu	Hilichurl chief	(no direct translation given; see context)	Hilichurl Ballad Selection, Volume 2	The seventh song: Mimi movo Mimi sada Mimi domu Domu upa Gusha dada It appears that many hilichurl tribes share a tradition of exchanging songs around bonfires in the moonlight. This song is one such bonfire ballad sung by the chief at the end of the night. At the end of the song, the chief shouts "nunu" three times, which presumably carries the meaning of "sleep."	Book: Hilichurl Ballad Selection (Version 1.0)
Domu upa	Hilichurl chief	(no direct translation given; see context)	Hilichurl Ballad Selection, Volume 2	The seventh song: Mimi movo Mimi sada Mimi domu Domu upa Gusha dada It appears that many hilichurl tribes share a tradition of exchanging songs around bonfires in the moonlight. This song is one such bonfire ballad sung by the chief at the end of the night. At the end of the song, the chief shouts "nunu" three times, which presumably carries the meaning of "sleep."	Book: Hilichurl Ballad Selection (Version 1.0)